The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
QDT use Bradbury’s own theatrical adaptation for a show that’s great to look at, but never quite becomes an inferno.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
Loud & Proud Latinx Double-Feature: ‘Kiss My Aztec!’ World Premiere at Berkeley Rep AND ‘Oedipus El Rey’ Revival at The Magic
A world premiere swan song and a powerful revival celebrate the wonderful eclecticness of local Latinx talent.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
What begins as an intriguing history lesson on The Bible quickly devolves into melodrama in Berkeley Rep’s latest.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.