What Dances shall We have: Mendelssohn’s ‘A Midsummer Night’s Dream’ at SF Ballet
SF Ballet’s gorgeous remount ‘Midsummer’ only lasted one night, which somehow seems appropriate.
Design of a Decade: ‘Y2K’ by Killing My Lobster
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
How Soon is Now: ‘Born in East Berlin’ World Premiere (Sandbox Series) by SF Playhouse
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
My Kingdom for Cliff’s Notes: ‘Gatz’ West Coast premiere at Berkeley Rep
The famous staged reading of the entire ‘Great Gatsby’ is nothing more than a flickering green light.
Ebony Powers: ‘Manifesto’ at Brava
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
The Pain Ends with Death: ‘The Children’ West Coast premiere at the Aurora
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
The ‘Things’ We Say have Meaning: ‘Tiny Beautiful Things’ Bay Area Premiere at SF Playhouse
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
This Waking Life: ‘Wakey, Wakey’ at the ACT
ACT kicks off 2020 with Will Eno’s darkly comic one-act (and short) celebrating why the little things matter most.
Comfortably Numb: ‘Ways to Leave a Body’ world premiere at Cutting Ball
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
‘Clash’-ing Lights and Civil Rights: Culture Clash ‘(Still) in America’ World Premiere at Berkeley Rep
The Latin trio return to the Berkeley Rep with their latest entertaining document of our country’s kookiest characters.