The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.