Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
Caryl Churchill’s incendiary piece gets a gripping new production from the ACT.
Solid direction elevates Dipika Guha’s “okay” script about the endless cycle of cultural commodification.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
Not even an excellent cast and strong direction can breath life into the DOA script by Branden Jacobs-Jenkins.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
Bitter Pill Double-Feature: ‘The Effect’ at SF Playhouse and ‘Eureka Day’ world premiere at Aurora Theatre
The idea of “better living through chemistry” results in an imperfect SF Playhouse show and an excellent Aurora show.
Quick Theatre Catch-up: ‘Birthday Party’ at ACT, ‘Beautiful Oops!’ by BACT, and ‘A Fatal Step’ at The Marsh
A frustrating Pinter classic, an adorable children’s tale, and a sexy noir solo show made for a week of theatre only the Bay Area could provide.