Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.