The popularity of 2019’s two biggest film should NOT be something we celebrate.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.
What begins as an intriguing history lesson on The Bible quickly devolves into melodrama in Berkeley Rep’s latest.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.