Black America’s waiting, Justin Timberlake…
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
‘Birds of Prey’ is the ‘Deadpool 2’ Redux we Didn’t Need but Still Love
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Sleaze Company: ‘PolySHAMory’ at The Marsh – SF
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
Not the Worst Witch: ‘Becky Nurse of Salem’ World Premiere at the Berkeley Rep
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
The Witch is Back: ‘Vinegar Tom’ West Coast Premiere at Shotgun
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Pure Incel Cinema: (2019 Movie Addendum)
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Because ‘Nice’ is a Trap: ‘Dionysus was such a Nice Man’ West Coast premiere at foolsFURY
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
We All Fall Down: ‘Free for All’ World Premiere at Cutting Ball
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
Bend, Stretch, Twist: ‘Dollhouse Monsters’ world premiere by DIVA or Die Burlesque
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Stupid is as ‘Stuber’ Does
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
