Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
The surprise mid-pandemic hit is soaked in ugly misogyny and hilarious ineptitude.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.