Neckbeard Aubrey ain’t Shit
His misogynoir towards Megan Thee Stallion is part of a long pattern.
His misogynoir towards Megan Thee Stallion is part of a long pattern.
The mixed bag of this year’s entries range from “excellent” to “horrible” and every shade in-between.
(UPDATED: with Twitter-commentary piece.) He’s leaving California and we’re all the better to be rid of him.
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
The surprise mid-pandemic hit is soaked in ugly misogyny and hilarious ineptitude.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
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Our family’s journey navigating this thing called colon cancer
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no legacy is so rich as honesty
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