Neckbeard Aubrey ain’t Shit
His misogynoir towards Megan Thee Stallion is part of a long pattern.
Coming up Short: 2022 SF Indiefest short films – Across, Anxiety-Proof – The Mothership, Median, The Letter Room, The Phoenix, The Loyal Betrayal, The Trade, Kiana, Lux Noctis
The mixed bag of this year’s entries range from “excellent” to “horrible” and every shade in-between.
San Francisco won’t miss Elon Musk
(UPDATED: with Twitter-commentary piece.) He’s leaving California and we’re all the better to be rid of him.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Cinema Dentata: ‘I Blame Society’ – 2021 SF Indiefest
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Don’t Steal My Shine: ‘The Light’ online at Shotgun Players
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
See-Through Stupidity: ‘The Invisible Man’
The surprise mid-pandemic hit is soaked in ugly misogyny and hilarious ineptitude.
Black America’s waiting, Justin Timberlake… (UPDATED w/ Feb. 2021 Britney “apology”)
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
‘Birds of Prey’ is the ‘Deadpool 2’ Redux we Didn’t Need but Still Love
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Sleaze Company: ‘PolySHAMory’ at The Marsh – SF
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
The Thinking Man's Idiot (Charles Lewis III) 