Neckbeard Aubrey ain’t Shit
His misogynoir towards Megan Thee Stallion is part of a long pattern.
San Francisco won’t miss Elon Musk
(UPDATED: with Twitter-commentary piece.) He’s leaving California and we’re all the better to be rid of him.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Cinema Dentata: ‘I Blame Society’ – 2021 SF Indiefest
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Don’t Steal My Shine: ‘The Light’ online at Shotgun Players
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
See-Through Stupidity: ‘The Invisible Man’
The surprise mid-pandemic hit is soaked in ugly misogyny and hilarious ineptitude.
Black America’s waiting, Justin Timberlake… (UPDATED w/ Feb. 2021 Britney “apology”)
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
‘Fair’ Game: ‘Vanity Fair’ at the ACT
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Sound and Fury Signifying Nothing: ‘Women Laughing Alone with Salad’ at Shotgun
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
The Thinking Man's Idiot (Charles Lewis III) 