He’s leaving California and we’re all the better to be rid of him.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
The surprise mid-pandemic hit is soaked in ugly misogyny and hilarious ineptitude.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.