Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Two of the most important names in Bay Area independent theatre share the joy of storytelling over the course of one hour.
Shane Black making a new ‘Predator’ film SHOULD be amazing, but it settles for being (barely) above average.
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.