The popularity of 2019’s two biggest film should NOT be something we celebrate.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
August Strindberg’s classic tale of male manipulation is still relevant in Aurora’s powerful new production.
In which I find hope in the climax of this Batman’s-dick-of-a-year.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
The sins of life follow you into death in this world premiere dramedy opening The Magic’s 52nd season.