The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.