Close to the Target: ‘Shoot Me When’ world premiere (online) at SF Playhouse
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
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