The only thing worse than COVID depression is when additional frustrations are piled on top of it.
Mike Cahill’s pretentious “Is this world a simulation?” sci-fi drama wants to be everything, so it becomes nothing.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
KML’s latest is an hilarious (and somewhat heartbreaking) look at facts and foibles of modern therapy.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.