Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
KML’s latest is an hilarious (and somewhat heartbreaking) look at facts and foibles of modern therapy.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.
Sarah Kane’s notorious first play is still as gut-wrenching in Shotgun’s production as it was when it premiered 20+ years ago.
Racist direction combines with a confused (and hypocritical) script in pretty-looking production by Shotgun.