The only thing worse than COVID depression is when additional frustrations are piled on top of it.
Mike Cahill’s pretentious “Is this world a simulation?” sci-fi drama wants to be everything, so it becomes nothing.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
The popularity of 2019’s two biggest film should NOT be something we celebrate.
KML’s latest is an hilarious (and somewhat heartbreaking) look at facts and foibles of modern therapy.
Social media “Legacy Profiles” collide with classic ruminations on death in this haunting piece by Yugen & Five on a Match.
Shane Black making a new ‘Predator’ film SHOULD be amazing, but it settles for being (barely) above average.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.
Sarah Kane’s notorious first play is still as gut-wrenching in Shotgun’s production as it was when it premiered 20+ years ago.