Mike Cahill’s pretentious “Is this world a simulation?” sci-fi drama wants to be everything, so it becomes nothing.
Social media “Legacy Profiles” collide with classic ruminations on death in this haunting piece by Yugen & Five on a Match.
Shane Black making a new ‘Predator’ film SHOULD be amazing, but it settles for being (barely) above average.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.
Sarah Kane’s notorious first play is still as gut-wrenching in Shotgun’s production as it was when it premiered 20+ years ago.
David Russell isn’t known for his tact or accuracy, so imagine how he handles bi-polar disorder.