‘Birds of Prey’ is the ‘Deadpool 2’ Redux we Didn’t Need but Still Love
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
The ‘Things’ We Say have Meaning: ‘Tiny Beautiful Things’ Bay Area Premiere at SF Playhouse
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Comfortably Numb: ‘Ways to Leave a Body’ world premiere at Cutting Ball
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Sleaze Company: ‘PolySHAMory’ at The Marsh – SF
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
Christmas Movie Round-Up 2019
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Pure Incel Cinema: (2019 Movie Addendum)
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Because ‘Nice’ is a Trap: ‘Dionysus was such a Nice Man’ West Coast premiere at foolsFURY
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Stupid is as ‘Stuber’ Does
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Torn from Memory: ‘Ripped’ World Premiere by Z Space
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
‘Fair’ Game: ‘Vanity Fair’ at the ACT
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
