Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.