Thank you, Regina King: 2019 Year in Review
My belated look at 2019 puts 2020 into perspective.
My belated look at 2019 puts 2020 into perspective.
In which Yours Truly tries to recount the few flicks he actually saw these past few months.
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
2018’s holiday haul included a sweet Spidey spin-off, a great non-Rocky sequel, and a Bay-free bot-flick.
Black Panther isn’t “a hero who happens to be Black”. Rather, Black identity is central and crucial to the story of his fantastic first MCU solo film.
The unapologetic Blackness of this superhero show makes it a must-watch.✊🏿
The MCU takes over for the wallcrawler’s big-screen adventures, resulting in the first Spidey film one would actually want to watch again.
A dark comic book flick and a classic movie monster make for an entertaining day at the multiplex.
The MCU goes semi-psychedelic in the nig-screen debut of the good doctor.
My published reviews for the eclectic San Francisco art magazine.
Online home to the Black San Franciscan Journalist, Performer, Culture Critic, Writer/Director, and Lover of Enamel Pins.
#pingmetillimdead
Silly, sexy fun
Our family’s journey navigating this thing called colon cancer
The archive...
no legacy is so rich as honesty
Healing is not Linear
o ---------- art of Hannah Birch Carl
Presenter and Producer
Actor, Singer
Holy Crap, we're moving.
"Theatre for People Who Didn't Know They Liked Theatre"
Love lover, writer, voiceover artist, actor, mama, wife, Hufflepuff Prefect, Bachelor franchise junkie, the ultimate fan of dipping foods in other foods.
Food, utter nonsense and general fuckery
promise crammed
World Premiere Female Driven Play in San Francisco
ONLINE PORTFOLIO FOR VIDEO AND THEATRE SERVICES
Tips and tricks from a gal who's been there
Make it good, keep it casual, have a beer.
Director of Photography
Blogging about Culture, Equity, and the Arts since 2013
The adventures of an SF gal heading East
Performer, Writer, and Theatre Creator
the creative writing of Barbara Jwanouskos
(word.)
Larissa Archer