Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
The popularity of 2019’s two biggest film should NOT be something we celebrate.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Toxic masculinity is taken to task in this SF Playhouse world premiere dramatizing the #GamerGate controversy.
Racism, sexism, classism, and privilege are given the mature examination they deserve in this SF Playhouse world premiere.
Emotions are far too restrained in Shotgun’s sterile revival of Ibsen-by-way-of-Bergman.