Close to the Target: ‘Shoot Me When’ world premiere (online) at SF Playhouse
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
‘Birds of Prey’ is the ‘Deadpool 2’ Redux we Didn’t Need but Still Love
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Comfortably Numb: ‘Ways to Leave a Body’ world premiere at Cutting Ball
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Sleaze Company: ‘PolySHAMory’ at The Marsh – SF
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
Christmas Movie Round-Up 2019
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Not the Worst Witch: ‘Becky Nurse of Salem’ World Premiere at the Berkeley Rep
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
Pure Incel Cinema: (2019 Movie Addendum)
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Because ‘Nice’ is a Trap: ‘Dionysus was such a Nice Man’ West Coast premiere at foolsFURY
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Stupid is as ‘Stuber’ Does
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
