The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
What begins as an intriguing history lesson on The Bible quickly devolves into melodrama in Berkeley Rep’s latest.
Stephen Schwartz’s musical fantasia gets a rousing production at the Playhouse.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Lucy Thurber’s latest is the sort of ill-thought-out treatise on Affirmative Action you’d expect from Fox News.
The Lobster’s claws go after holiday rom-coms in their latest hilarious show.
The sins of life follow you into death in this world premiere dramedy opening The Magic’s 52nd season.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.