Sarah Kane’s notorious first play is still as gut-wrenching in Shotgun’s production as it was when it premiered 20+ years ago.
Although the script veers into cliched (if not racist) territory, strong performances and lavish set design save Berkeley Playhouse’s production.
Though Shotgun pulls off some grand production design, Madeleine George’s script doesn’t successfully tackle the themes it ponders.
Berkeley Playhouse pulls out all the stops for Disney’s version of Edgar Rice Burroughs’ most famous character.
A strong director and able cast elevate a clichéd story in this Shotgun show.