Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
One of the most beloved shows of all time gets a rousing production at the Berkeley Playhouse.
Electric choreography from the Berkeley Playhouse can’t quite save this revival of the popular musical.
Though the script is over-packed with characters, the combination of great direction, performances, and tech make this another winner for Berkeley Playhouse.