Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
One of the most beloved shows of all time gets a rousing production at the Berkeley Playhouse.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
Electric choreography from the Berkeley Playhouse can’t quite save this revival of the popular musical.
Though the script is over-packed with characters, the combination of great direction, performances, and tech make this another winner for Berkeley Playhouse.