Branden Jacobs-Jenkins leans too heavily cliches of “the death (wink, wink) of print” in his latest show at the ACT.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
The beloved children’s book makes for a creative (if wildly uneven) musical from PigPen.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.