Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
Shakespeare and sexual politics collide in Cal Shakes’ version of one of The Bard’s infamous “problem plays”.