George Bernard Shaw’s classic satire gets an unfortunately sour reading as part of ACT’s new series.
Not even a global pandemic can stop the ACT and SF Ballet from bringing their annual holiday productions to the world.
Branden Jacobs-Jenkins leans too heavily on shock value and “death (wink, wink) of print” clichés in his latest show at the ACT.
ACT kicks off 2020 with Will Eno’s darkly comic one-act (and short) celebrating why the little things matter most.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
ACT’s latest is a so-so tale of American crass, Chinese refinement, and the universal language of competition.
Belated Black History Month Double-Feature: ‘The Last Sermon of Sister Imani’ by TheatreF1rst and ‘Her Portmanteau’ at ACT
In which I catch up with two brand new Bay Area shows based exclusively around Black women.
Awkward tonal shifts and a jagged narrative sink this winner of the 2015 Pulitzer.