Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
Not even an excellent cast and strong direction can breath life into the DOA script by Branden Jacobs-Jenkins.
You wouldn’t think “rom-com” and “Vietnam War drama” would go together, but the ACT pulls it off well.
Bad decisions at every turn torpedo ACT’s production of Shakespeare’s most famous text.
The sexual politics of The Bard’s gender-bending comedy receive an uneven interpretation from Cal Shakes.
A uniquely Asian-American immigrant tale is the focus Crowded Fire’s touching new production.