Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
Bad decisions at every turn torpedo ACT’s production of Shakespeare’s most famous text.