“One good thing about music/When it hits you (You feel no pain)”– Bob Marley & The Wailers, “Trenchtown Rock” One can’t help but think of the SF Playhouse as the quintessential test case for re-opened Bay Area theatre. Although Cal Shakes and We Players have recently returned to […]
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
The changing face of SF’s Lesbian community is wonderfully realized in this Sandbox world premiere.
The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
Solid direction elevates Dipika Guha’s “okay” script about the endless cycle of cultural commodification.