Before Christmas touches town, I look back on two flamboyant shows by Cutting Ball and Taylor Mac.
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
Aurora’s new season opens with an emotional new piece that only occasionally feels off.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Aurora scores a hit with Anna Ziegler’s incendiary piece about sexual consent and identity politics.
Young Jean Lee’s latest is only an hour, but it manages to dismantle a centuries of popular opinions about Christianity.
This would-be satire of White progressivism soon devolves into a poor treatise on the evils of fascism.
A uniquely Asian-American immigrant tale is the focus Crowded Fire’s touching new production.