Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
Though Shotgun pulls off some grand production design, Madeleine George’s script doesn’t successfully tackle the themes it ponders.
A fascinating true story is given the worst made-for-tv treatment in biopic.
A mediocre script is just one problem with this world premiere Transgender tale by New Conservatory Theatre.
Annie Baker couldn’t commit to writing one play, so she combined all of them into one interminably long ACT production.