The sins of life follow you into death in this world premiere dramedy opening The Magic’s 52nd season.
Chekhov’s classic is revived through gorgeous design, mixed performances, and some confounding directorial choices.
Young Jean Lee’s latest is only an hour, but it manages to dismantle a centuries of popular opinions about Christianity.
One of the most volatile events in US history is the backdrop for an ultimately toothless story at the Aurora.
Silly Shakespeare Double-Feature: ‘Caesar Maximus’ by We Players AND ‘War of the Roses’ by Cal Shakes
Two of the Bay Area’s best companies make the same miscalculation when adapting The Bard.
Not even an excellent cast and strong direction can breath life into the DOA script by Branden Jacobs-Jenkins.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
Mac Rogers reimagines Karel Čapek’s sci-fi classic in this thrilling steampunk production by Quantum Dragon.
An all-Asian cast empowers this hilarious satire of White privilege theatrical dramas. Only one fatal flaws keeps it from perfection.