Aurora’s new season opens with an emotional new piece that only occasionally feels off.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
FaultLine premiere’s Savannah Reich satire of human progression that’s as subtle as a club to the head.
QDT use Bradbury’s own theatrical adaptation for a show that’s great to look at, but never quite becomes an inferno.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
Loud & Proud Latinx Double-Feature: ‘Kiss My Aztec!’ World Premiere at Berkeley Rep AND ‘Oedipus El Rey’ Revival at The Magic
A world premiere swan song and a powerful revival celebrate the wonderful eclecticness of local Latinx talent.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.