KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
LCTC stages a raucous, and somewhat bloated, retelling of biblical creation from the writer of ‘In & Out’.
The Uruguayan play gets a loud – if uneven – adaptation by SF’s own BATCO.
The creators of Teatro ZinZanni pitch a tent in Oakland for their sexy circus show.