The dark social satire hasn’t lost any of its edge in Custom Made’s take on Wendy MacLeod’s one-act.
The classic rapid-fire comedy is inexplicably slowed to a snail’s pace at the SF Playhouse.
A mediocre script is just one problem with this world premiere Transgender tale by New Conservatory Theatre.
The AIDS-era satire gets a somewhat uneven revival as part of Magic’s Legacy Series.
Emotions are far too restrained in Shotgun’s sterile revival of Ibsen-by-way-of-Bergman.
Annie Baker couldn’t commit to writing one play, so she combined all of them into one interminably long ACT production.
A uniquely Asian-American immigrant tale is the focus Crowded Fire’s touching new production.
Allison Page’s latest full-length is an intriguing tale of a Millenial sleuth trying to solve the Jazz Era death of her literary hero.
The height of the AIDS crisis is still fresh in the mind of Elaine Magree for her touching new solo show.
Maureen Langan’s life MIGHT make for a great story, but that’s not the one she tells in her hypocritical solo show.