Aurora slowly moves back to live shows with this solo streamer about a NY neighborhood in flux.
Heather Christian’s acclaimed show about ghostly encounters is an audio wonder brought down by unnecessary visuals.
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
ACT don’t quite stick the landing, but their new reading series brought lessons worth learning.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
All that Glitters during the Cold: ‘Utopia’ World Premiere at Cutting Ball and ‘Holiday Sauce… PANDEMIC!’
Before Christmas touches town, I look back on two flamboyant shows by Cutting Ball and Taylor Mac.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Stephen Buel still owes me money for this never-published East Bay Express story.