Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Lucy Thurber’s latest is the sort of ill-thought-out treatise on Affirmative Action you’d expect from Fox News.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
Sarah Kane’s notorious first play is still as gut-wrenching in Shotgun’s production as it was when it premiered 20+ years ago.
Though Shotgun pulls off some grand production design, Madeleine George’s script doesn’t successfully tackle the themes it ponders.
Fine acting and great Berkeley Rep production values can’t save Branden Jabobs-Jenkins’ God-awful script.
A strong director and able cast elevate a clichéd story in this Shotgun show.