The unruly brain and bad habits of a writer, artist, and grilled cheese sandwich-enthusiast.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
A world premiere swan song and a powerful revival celebrate the wonderful eclecticness of local Latinx talent.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Marcus Gardley’s play is so close to perfection that it’s enough to drive you crazy that it doesn’t quite get there.
Though the performances are uneven, strong direction and social commentary bolster Cutting Ball’s take on the classic Greek myth.
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