KML’s latest is an hilarious (and somewhat heartbreaking) look at facts and foibles of modern therapy.
The Lobster’s claws go after holiday rom-coms in their latest hilarious show.
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
This would-be satire of White progressivism soon devolves into a poor treatise on the evils of fascism.
Bitter Pill Double-Feature: ‘The Effect’ at SF Playhouse and ‘Eureka Day’ world premiere at Aurora Theatre
The idea of “better living through chemistry” results in an imperfect SF Playhouse show and an excellent Aurora show.
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters.