Time Keeps on Drippin’: ‘Time Sensitive’ by Ragged Wing Ensemble
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
Giggle Therapy: ‘How Does that Make You Feel?’ by Killing My Lobster
KML’s latest is an hilarious (and somewhat heartbreaking) look at facts and foibles of modern therapy.
Oleanna 2.0: ‘Actually’ Bay Area premiere at the Aurora
Aurora scores a hit with Anna Ziegler’s incendiary piece about sexual consent and identity politics.
Jingle Shells: ‘Lobster, Actually’ by Killing My Lobster
The Lobster’s claws go after holiday rom-coms in their latest hilarious show.
Off Without a Hitch: ‘North by North Lobster’ by Killing My Lobster
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
The End can’t come Quick Enough: ‘Everybody’ West Coast Premiere at Cal Shakes
Not even an excellent cast and strong direction can breath life into the DOA script by Branden Jacobs-Jenkins.
At the Hour of Our Death: ‘4.48 Psychosis’ at Anton’s Well
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
Drowning in White Tears: ‘White’ at Shotgun Players
Shotgun hosts the West Coast premiere of James Ijames’ scathing satire of White privilege in art.
‘In Braunau’ is Out of Ideas: World Premiere (Sandbox) production by SF Playhouse
This would-be satire of White progressivism soon devolves into a poor treatise on the evils of fascism.
Bitter Pill Double-Feature: ‘The Effect’ at SF Playhouse and ‘Eureka Day’ world premiere at Aurora Theatre
The idea of “better living through chemistry” results in an imperfect SF Playhouse show and an excellent Aurora show.
The Thinking Man's Idiot (Charles Lewis III) 