Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.