No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters.
A mediocre script is just one problem with this world premiere Transgender tale by New Conservatory Theatre.