Looking back at the two years (and counting) of pop culture during pandemic purgatory.
The last film I saw before lockdown was one of the best Black romance films I’ve seen in nearly 20+ years.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
The popularity of 2019’s two biggest film should NOT be something we celebrate.
In which Yours Truly tries to recount the few flicks he actually saw these past few months.
An impossible SF snowstorm provides the setting for KML’s latest holiday sketch set.
The story of The Boy Who Lived continues in an entertainingly bombastic production at the Curran.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
The beloved children’s book makes for a creative (if wildly uneven) musical from PigPen.