Not the Worst Witch: ‘Becky Nurse of Salem’ World Premiere at the Berkeley Rep
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
The Witch is Back: ‘Vinegar Tom’ West Coast Premiere at Shotgun
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Dream Girl: ‘Helen’ at Theatre of Yugen
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
We’re All Screwed: ‘La Ronde’ at Cutting Ball
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Spellbinding: ‘Some Enchanted Evenings’ at The EXIT Stage Left
Two of the most important names in Bay Area independent theatre share the joy of storytelling over the course of one hour.
Off Without a Hitch: ‘North by North Lobster’ by Killing My Lobster
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
Funny and Fabulous: ‘Queering My Lobster’ by Killing My Lobster
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters.
Ladies’ Nights: ‘Revolt. She said…’ at Crowded Fire and ‘Kursk’ at Theatre Lunatico
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
Quick Theatre Catch-up: ‘Birthday Party’ at ACT, ‘Beautiful Oops!’ by BACT, and ‘A Fatal Step’ at The Marsh
A frustrating Pinter classic, an adorable children’s tale, and a sexy noir solo show made for a week of theatre only the Bay Area could provide.
Mad ‘House’ at Custom Made
The dark social satire hasn’t lost any of its edge in Custom Made’s take on Wendy MacLeod’s one-act.
The Thinking Man's Idiot (Charles Lewis III) 