The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Two of the most important names in Bay Area independent theatre share the joy of storytelling over the course of one hour.
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters.
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
Quick Theatre Catch-up: ‘Birthday Party’ at ACT, ‘Beautiful Oops!’ by BACT, and ‘A Fatal Step’ at The Marsh
A frustrating Pinter classic, an adorable children’s tale, and a sexy noir solo show made for a week of theatre only the Bay Area could provide.
The dark social satire hasn’t lost any of its edge in Custom Made’s take on Wendy MacLeod’s one-act.