ACT’s show is many things – fun, invigorating, a celebration of a beloved artist – but “theatre” isn’t one of them. Not exactly.
Two strong leads do their best to breathe life into a seemingly-incomplete script in this SF Playhouse production.
Some head-scratching directorial choices are the only thing keeping this world premiere musical from being perfect.
Though the performances are uneven, strong direction and social commentary bolster Cutting Ball’s take on the classic Greek myth.
My first-ever Quantum Dragon show is hindered by – of all things – TOO MUCH world-building.
Emotions are far too restrained in Shotgun’s sterile revival of Ibsen-by-way-of-Bergman.
Allison Page’s latest full-length is an intriguing tale of a Millenial sleuth trying to solve the Jazz Era death of her literary hero.
The height of the AIDS crisis is still fresh in the mind of Elaine Magree for her touching new solo show.
Maureen Langan’s life MIGHT make for a great story, but that’s not the one she tells in her hypocritical solo show.
The bewildering choices of slapstick and steampunk are just two-of-many poor decisions in this Cutting Ball production.