The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
Caryl Churchill’s incendiary piece gets a gripping new production from the ACT.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.