My second-ever viewing of a BAMSF show is fantastic production of the award-winning Off-Broadway musical.
August Strindberg’s classic tale of male manipulation is still relevant in Aurora’s powerful new production.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
The acclaimed indie film – about a Jewish woman’s affair in the Summer of ’69 – becomes a rather lackluster musical at the ACT.
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters.
A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.
Sarah Kane’s notorious first play is still as gut-wrenching in Shotgun’s production as it was when it premiered 20+ years ago.
Shakespeare and sexual politics collide in Cal Shakes’ version of one of The Bard’s infamous “problem plays”.
Sex is the name of the game in WE Players’ bawdy new take on The Bard’s most famous comedy.
A strong director and able cast elevate a clichéd story in this Shotgun show.