Jennifer Sharp’s Hollywood satire is two interesting films that make up a single uneven film.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
The changing face of SF’s Lesbian community is wonderfully realized in this Sandbox world premiere.