Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
What begins as an intriguing history lesson on The Bible quickly devolves into melodrama in Berkeley Rep’s latest.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
KML’s latest is an hilarious (and somewhat heartbreaking) look at facts and foibles of modern therapy.
Aurora scores a hit with Anna Ziegler’s incendiary piece about sexual consent and identity politics.
Lucy Thurber’s latest is the sort of ill-thought-out treatise on Affirmative Action you’d expect from Fox News.
Belated Black History Month Double-Feature: ‘The Last Sermon of Sister Imani’ by TheatreF1rst and ‘Her Portmanteau’ at ACT
In which I catch up with two brand new Bay Area shows based exclusively around Black women.