Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.
Caryl Churchill’s incendiary piece gets a gripping new production from the ACT.
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
FaultLine premiere’s Savannah Reich satire of human progression that’s as subtle as a club to the head.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.