Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
An impossible SF snowstorm provides the setting for KML’s latest holiday sketch set.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
The changing face of SF’s Lesbian community is wonderfully realized in this Sandbox world premiere.