Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Jennifer Sharp’s Hollywood satire is two interesting films that make up a single uneven film.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.