Aurora slowly moves back to live shows with this solo streamer about a NY neighborhood in flux.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
My very-late, but still-relevant review of the ACT’s show about this unsung heroine of baseball history.
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.