Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.