The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Grindhouse flick with four chicks whose arms are chopped off for gladiatorial weapons. What else is there to say?
An intimate story about a changing San Francisco makes for one of the best films of the still-young year of 2021.
Jennifer Sharp’s Hollywood satire is two interesting films that make up a single uneven film.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
ACT’s show is many things – fun, invigorating, a celebration of a beloved artist – but “theatre” isn’t one of them. Not exactly.