KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
In which Yours Truly tries to recount the few flicks he actually saw these past few months.
LCTC stages a raucous, and somewhat bloated, retelling of biblical creation from the writer of ‘In & Out’.
The Uruguayan play gets a loud – if uneven – adaptation by SF’s own BATCO.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Solid direction elevates Dipika Guha’s “okay” script about the endless cycle of cultural commodification.
An all-Asian cast empowers this hilarious satire of White privilege theatrical dramas. Only one fatal flaws keeps it from perfection.
X-mas Day Quadruple-Feature: ‘The Last Jedi’; ‘Jumanji: Welcome to the Jungle’; ‘The Shape of Water’; ‘The Disaster Artist’
Jedis, jungles, fish-man junk, & James Franco.
All but the last made for a great day at the multiplex.